Ethical Issues in Software Patent Law: A Comparison Between the US and UK :: Argumentative Persuasive Papers

Ethical Issues in Softw atomic number 18 Patent Law As Seen in Comparison Between the US and UK1. IntroductionThough it is often overlooked today in favor of its counterpart digital music protection, software program system content protection is an extremely serious issue, and many contend that it has the potential to stunt the growth of technology if it is mishandled. The debate concerns software piracy (often simply apply a program you didnt actually pay for), and the proper legal protection that should apply to such software programs. Due to space constraints, I delegate to confine our discussion here to an overview of the software plain and copyright issues in the United States and the UK two of the worlds most advanced countries with widespread software development and use, and therefore great potential for misuse. And as no treatment of this issue can be complete without a look at its honourable ramifications, I will finally propose a solution to the software protection problem, and justify it with ethical as well as pragmatic motivations.2. Systems directlyThere are two primary legal means of protecting ones software today copyrights and patents (trade secrets are really a tell apart category, simply involving keeping your code secret, and provide no real legal protection). The difference between copyrights and patents is that copyrights (traditionally applicable to printed matter and documents) apply automatically but run off limited protection, while patents (applied to crotchety business processes, etc.) give extensive legal protection but must be granted. Copyrights have long been the only real method of protection of software, which was viewed as more like a printed document than a business process the thinking of many was (and still is) that, Patents cover unique processes and functions, but since virtually all software is derivative, patent protection seems inappropriate for software programs. Copyright protection may be more suitable since it does delineate between ideas and their expression. However, the extent and scope of that protection is unclear1What this means is that copyrights can be got around (at least theoretically, rewriting a program in a different way to do exactly the same thing would not violate a copyright on the original program) and while patents are much more restrictive, it is unclear when exactly a patent on a piece of software is justified, resulting in an opportunity for abuse by patent applicants. To get a more substantive picture of the state of software protection today, we will take a closer look at relevant law in the United States, and compare it to the protection currently offered in the UK.

Comparing Culture in Adventures of Huckleberry Finn, Pride and Prejudic

Culture in Adventures of Huckleberry Finn, Pride and Prejudice, and NeuromancerAmerica was formed on the basis of subtlety. Many different cultural backgrounds flocked to this single area and in the process many existing cultures were destroyed, while the new influx of humanity meshed to create an American culture. This constant flow of cultures from on the whole over the world has kept the American culture in a state of flux. Each historical period has presented its classical viewpoint of American culture through the eyes of its most accomplished authors. There are registers about clashes of cultures, presentations of cultures and even some focused on t apieceing a culture. The narratives provide a glimpse into an era that may no longer exist. To understand the effect of narrating star must comprehend its make-up. Essentially there is a three-layer distinction in a narrative-- the text, story and fabula. The simplest component of a narrative is the fabula. A fabula can clearly be exemplified by a comic strip in which each box represents a new event in a chronological sequence. Many times a narrative is presented with no obvious order of events. An smooth example of this is Leslie Silkos novel, Ceremony. The main character, or as Mieke Bal describes it in her book Narratology Introduction to the Theory of Narrative, the actor, narrates his life by jumping from his childhood to the present, back to the past and finally ending in the present. In addition to this, Bal, defines the text of a narrative as a finite structure . . . composed of language signs (5). Using this definition, one could again feel free to use a comic strip as an example of a narrative, but in reality a narrative is much more complicated. Using the distinct stru... ...ader with an opportunity to experience a culture that no longer exists, or is yet to come. A look at the layout of classical narratives from the beginning of America to the present describes and relives the lives of so ma ny individuals. In providing this glimpse into the past or the future, narratives shape the lectors perspective of that time period, leaving the reader with a specific viewpoint on the history of American culture. Works CitedAustin, Jane. Pride and Prejudice. sassy York Washington Square Press Book, 1960.Bal, Mieke. Narratology Introduction to the Theory of Narrative. Toronto University of Toronto Press, 1985. Gibson, William. Neuromancer. New York Ace Books, 1984.Sawyer, Mark. The Adventures of Huckleberry Finn. New York Airmont Books, 1962.Silko, Leslie Marmon. Ceremony. New York Penguin Books, 1977.

Modernism and the Modern Novel Essay -- English Literature

Modernism and the Modern Novel==============================The term modernism refers to the radical switching in aesthetic andcultural sensibilities evident in the art and literature of thepost-World War One period. The ordered, stable and inherentlymeaningful world view of the nineteenth century could not, wrote T.S.Eliot, accord with the immense panorama of futility and anarchy whichis contemporary history. Modernism thus marks a distinctive breakwith Victorian bourgeois morals rejecting nineteenth-centuryoptimism, they presented a profoundly pessimistic picture of a culturein disarray. This despair often results in an apparent apathy andmoral relativism.In literature, the nominal head is associated with the works of (amongothers) Eliot, James Joyce, Virginia Woolf, W.B. Yeats, Ezra Pound,Gertrude Stein, H.D., Franz Kafka and Knut Hamsun. In their attempt tothrow off the aesthetic burden of the realist novel, these writersintroduced a variety of literary tactics and devicesthe radical disruption of linear flow of narrative the frustration of...

performing arts Essay -- essays research papers fc

What is Performance ruse? How does it differ from Theater?      The term "Performance Art" st impostureed in the coupled States in the 60s. It was originally used to describe any live deviceistic event, which included poets, filmmakers, musicians, dancers, etc. Even though the de bridge playerive denomination came about in the 1960s, there were earlier precedents for death penalty art. The live performances of the Dadaist meshed poetry and visual arts. The German Bauhaus, founded in 1919, included theater workshops that explored the relationship betwixt space, sound and light. post influence also came about later in the 50s on through the 60s with the Beatniks and the happenings that took place in the Lower East colonisation in NYC. former movements such as the Italian Futurists were also very involved in paving the way for what was to come in the 70s.      By 1970 the term, performance art was used globally and specifically defined as live art, not theater. Even though theater and performance art a great deal times luck the kindred stage, in practice they ar very different. Performance art is not a form of representational art, rather a moment of acquiring multiple characters and creating a fusion between one and the next, but never allowing the true self to ever fully disappear. A performer of performance art is usually oneself either telling a story, a feeling, an opinion, whether it be through video, movement, music, television, poetry, sculpture, spoken dialogue or any mix of these. An promoter usually is personifying soulfulness else under very specific conditions. Performance art leaves more leeway for improvisational efforts to factor whether it is text based or strictly movement. The script is a warrantor paper reassuring a certain aspect of structure, but does not hold an absolute strict compromise. No two performances are ever sincerely alike. A script for an actor is a bible it tells how and when an action will happen. All cues, lines and characterization get memorized and obsessively rehearsed so that every time performed an most identical performance is released. Rehearsals for performance artists are much more conceptual and often times will include researching, gathering shore up and costumes and having discussions with collaborators in their narration time. Maybe this is so due to the little or no technical training that a ... ... culture and identity. It allows the artist to be an insider and outsider at the same time, crossing the border of points of view at all times. It functions on different levels of societys social structure, sometimes right on par with accredited events and other times defying all common everyday needs and resistance.     Performance art fluctuates between boundaries of all art. Its conceptual territory lies at heart the contradiction, the ambiguity and the extreme, reservation it difficult to define bor ders.      Performance art is a means of art that cannot be bought or sold. It is a chance where all art forms converge in many different mixes, whether it be music, video, painting, poetry, movement, etc. In a postmodern society where all genres loose their limits and are hard to define, performance art has give way an absolutely hybrid art form. Bibliography1. Fusco, Coco. English is Broken Here. New York The New Press, 1995.2. Goldberg, Roselee. Performance Art, From Futurism to the Present. Singapore C.S. Graphics, 2001.3. Acconci, Vito, Public quad in a Private Time, url www.kuntmuseum.ch.4. www.lipmagazine.com performing arts Essay -- essays research papers fc What is Performance Art? How does it differ from Theater?      The term "Performance Art" started in the United States in the 60s. It was originally used to describe any live artistic event, which included poets, filmmakers, musicians, dancers, etc. Even though the descriptive word came about in the 1960s, there were earlier precedents for performance art. The live performances of the Dadaist meshed poetry and visual arts. The German Bauhaus, founded in 1919, included theater workshops that explored the relationship between space, sound and light. Direct influence also came about later in the 50s on through the 60s with the Beatniks and the happenings that took place in the Lower East Village in NYC. Earlier movements such as the Italian Futurists were also very involved in paving the way for what was to come in the 70s.      By 1970 the term, performance art was used globally and specifically defined as live art, not theater. Even though theater and performance art often times share the same stage, in practice they are very different. Performance art is not a form of representational art, rather a moment of acquiring multiple characters and creating a fusion between one and the next, but never allowing the true self to ever fully disappear. A performer of performance art is usually oneself either telling a story, a feeling, an opinion, whether it be through video, movement, music, television, poetry, sculpture, spoken dialogue or any mix of these. An actor usually is personifying someone else under very specific conditions. Performance art leaves more leeway for improvisational efforts to factor whether it is text based or strictly movement. The script is a security paper reassuring a certain aspect of structure, but does not hold an absolute strict compromise. No two performances are ever really alike. A script for an actor is a bible it tells how and when an action will happen. All cues, lines and characterization get memorized and obsessively rehearsed so that every time performed an almost identical performance is released. Rehearsals for performance artists are much more conceptual and often times will include researching, gathering props and costumes and having discussions with coll aborators in their rehearsal time. Maybe this is so due to the little or no technical training that a ... ... culture and identity. It allows the artist to be an insider and outsider at the same time, crossing the border of points of view at all times. It functions on different levels of societys social structure, sometimes right on par with current events and other times defying all common everyday needs and resistance.     Performance art fluctuates between boundaries of all art. Its conceptual territory lies within the contradiction, the ambiguity and the extreme, making it difficult to define borders.      Performance art is a means of art that cannot be bought or sold. It is a chance where all art forms converge in many different mixes, whether it be music, video, painting, poetry, movement, etc. In a postmodern society where all genres loose their limits and are hard to define, performance art has become an absolutely hybrid art form. B ibliography1. Fusco, Coco. English is Broken Here. New York The New Press, 1995.2. Goldberg, Roselee. Performance Art, From Futurism to the Present. Singapore C.S. Graphics, 2001.3. Acconci, Vito, Public Space in a Private Time, url www.kuntmuseum.ch.4. www.lipmagazine.com

Malpractice and Malediction in The Marquise of O. and The Yellow Wallpa

Malpractice and Malediction in The marquee of O. and The color wallpaper In Heinrich Von Kleists The pavilion of O. and Charlotte Perkins Gilmans The lily-livered Wallpaper, the female protagonist is terribly mislabeled. The inaccuracies in treatment, administered by seemingly authoritative and knowledgeable characters -- family members and a medically certified spouse, respectively -- result in sad deterioration of the state of mind of some(prenominal) the marquee and The Yellow Wallpapers narrator. The pic of each characters weakness is comprised of blatant references to an applied infantile image and approaching coseismal mentality. In The Marquise of O, the Marquise is squeeze unwillingly into the external world in The Yellow Wallpaper, the narrator is locked away unwillingly in an interior world. though both are persecuted because of their gender, in The Marquise of O, the Marquise is profligate by the symbolic rebirth of her womanhood while in The Yellow Wallpaper , the narrator is troubled by the symbolic death of her womanhood. Kleist begins his delineation of the Marquise with terms such as widowed,, a lady, and the mother of several well-brought-up children (Kleist 68). In this introduction the reader learns that the Marquise has experienced both marriage and childbirth. In respect to her deceased husband, the Marquise avoids remarriage and returns to her familys home with her parents, brother and children. The Marquise transforms her role as lover and wife to young lady and mother, therefore stifling an aspect of her womanhood. It is not until she is unknowingly sexually assaulted and made pregnant that her femininity is reborn. The narrator of Gilmans The Yellow Wallpaper, on the other hand, se... ...mother realize the personal identity of her daughters rapist before the Marquise, establishing irony and advance engagement between reader and text. It is also clear to the reader that by the conclusion of The Yellow Wallpaper, the nar rator has fuck off maniacal. Though confined to similar situations, Kleists Marquise and Gilmans narrator are delineated in very different manners. While the Marquise displays boldness and determination in locating her assailant, the narrator of The Yellow Wallpaper allows the intriguing wallpaper to take control of her senses. Both stories exhibit the consequence of a mythical diagnosis administered to an ab initio sane and healthy person. WORKS CITED Gilman, Charlotte Perkins. The Yellow Wallpaper. Ed. Dale H. Bauer. New York Bedford, 1998. Kleist, Heinrich Von. The Marquise of O-. London Penguin Books, 1978. Malpractice and Malediction in The Marquise of O. and The Yellow WallpaMalpractice and Malediction in The Marquise of O. and The Yellow Wallpaper In Heinrich Von Kleists The Marquise of O. and Charlotte Perkins Gilmans The Yellow Wallpaper, the female protagonist is terribly mislabeled. The inaccuracies in treatment, administered by seemingly authorita tive and knowledgeable characters -- family members and a medically certified spouse, respectively -- result in tragic deterioration of the state of mind of both the Marquise and The Yellow Wallpapers narrator. The delineation of each characters weakness is comprised of blatant references to an applied infantile image and approaching unstable mentality. In The Marquise of O, the Marquise is thrust unwillingly into the external world in The Yellow Wallpaper, the narrator is locked away unwillingly in an interior world. Though both are persecuted because of their gender, in The Marquise of O, the Marquise is troubled by the symbolic rebirth of her womanhood while in The Yellow Wallpaper, the narrator is troubled by the symbolic death of her womanhood. Kleist begins his delineation of the Marquise with terms such as widowed,, a lady, and the mother of several well-brought-up children (Kleist 68). In this introduction the reader learns that the Marquise has experienced both marriage an d childbirth. In respect to her deceased husband, the Marquise avoids remarriage and returns to her familys home with her parents, brother and children. The Marquise transforms her role as lover and wife to daughter and mother, therefore stifling an aspect of her womanhood. It is not until she is unknowingly sexually assaulted and made pregnant that her femininity is reborn. The narrator of Gilmans The Yellow Wallpaper, on the other hand, se... ...mother realize the identity of her daughters rapist before the Marquise, establishing irony and advancing engagement between reader and text. It is also clear to the reader that by the conclusion of The Yellow Wallpaper, the narrator has become maniacal. Though confined to similar situations, Kleists Marquise and Gilmans narrator are delineated in very different manners. While the Marquise displays boldness and determination in locating her assailant, the narrator of The Yellow Wallpaper allows the intriguing wallpaper to take control of her senses. Both stories exhibit the consequence of a mythical diagnosis administered to an initially sane and healthy person. WORKS CITED Gilman, Charlotte Perkins. The Yellow Wallpaper. Ed. Dale H. Bauer. New York Bedford, 1998. Kleist, Heinrich Von. The Marquise of O-. London Penguin Books, 1978.

Malpractice and Malediction in The Marquise of O. and The Yellow Wallpa

Malpractice and Malediction in The marquee of O. and The yellow Wallpaper In Heinrich Von Kleists The pavilion of O. and Charlotte Perkins Gilmans The Yellow Wallpaper, the female protagonist is abominably mislabeled. The inaccuracies in treatment, administered by seemingly authoritative and knowledgeable characters -- family members and a medically certified spouse, respectively -- result in tragic deterioration of the state of perspicacity of both the Marquise and The Yellow Wallpapers cashier. The delineation of each characters weakness is comprised of blatant references to an applied infantile image and come on unstable mentality. In The Marquise of O, the Marquise is thrust unwillingly into the external world in The Yellow Wallpaper, the storyteller is locked away unwillingly in an intragroup world. Though both are persecuted because of their gender, in The Marquise of O, the Marquise is troubled by the symbolic rebirth of her womanhood while in The Yellow Wallpaper, the narrator is troubled by the symbolic conclusion of her womanhood. Kleist begins his delineation of the Marquise with terms such as widowed,, a lady, and the mother of several well-brought-up children (Kleist 68). In this introduction the subscriber learns that the Marquise has experienced both coupling and childbirth. In respect to her deceased husband, the Marquise avoids remarriage and returns to her familys home with her parents, brother and children. The Marquise transforms her role as lover and married woman to daughter and mother, therefore stifling an font of her womanhood. It is not until she is unknowingly sexually assaulted and made pregnant that her femininity is reborn. The narrator of Gilmans The Yellow Wallpaper, on the other hand, se... ...mother hit the identity of her daughters rapist before the Marquise, establishing ridicule and advancing engagement between reader and text. It is also clear to the reader that by the conclusion of The Yellow Wallpaper, the narrator has become maniacal. Though confined to connatural situations, Kleists Marquise and Gilmans narrator are delineated in very different manners. While the Marquise displays boldness and finish in locating her assailant, the narrator of The Yellow Wallpaper allows the intriguing wallpaper to take control of her senses. Both stories exhibit the consequence of a mythical diagnosing administered to an initially sane and healthy person. whole kit and caboodle CITED Gilman, Charlotte Perkins. The Yellow Wallpaper. Ed. Dale H. Bauer. New York Bedford, 1998. Kleist, Heinrich Von. The Marquise of O-. London Penguin Books, 1978. Malpractice and Malediction in The Marquise of O. and The Yellow WallpaMalpractice and Malediction in The Marquise of O. and The Yellow Wallpaper In Heinrich Von Kleists The Marquise of O. and Charlotte Perkins Gilmans The Yellow Wallpaper, the female protagonist is terribly mislabeled. The inaccuracies in treatment, administered by se emingly authoritative and knowledgeable characters -- family members and a medically certified spouse, respectively -- result in tragic deterioration of the state of mind of both the Marquise and The Yellow Wallpapers narrator. The delineation of each characters weakness is comprised of blatant references to an applied infantile image and approaching unstable mentality. In The Marquise of O, the Marquise is thrust unwillingly into the external world in The Yellow Wallpaper, the narrator is locked away unwillingly in an interior world. Though both are persecuted because of their gender, in The Marquise of O, the Marquise is troubled by the symbolic rebirth of her womanhood while in The Yellow Wallpaper, the narrator is troubled by the symbolic death of her womanhood. Kleist begins his delineation of the Marquise with terms such as widowed,, a lady, and the mother of several well-brought-up children (Kleist 68). In this introduction the reader learns that the Marquise has experienced both marriage and childbirth. In respect to her deceased husband, the Marquise avoids remarriage and returns to her familys home with her parents, brother and children. The Marquise transforms her role as lover and wife to daughter and mother, therefore stifling an aspect of her womanhood. It is not until she is unknowingly sexually assaulted and made pregnant that her femininity is reborn. The narrator of Gilmans The Yellow Wallpaper, on the other hand, se... ...mother realize the identity of her daughters rapist before the Marquise, establishing irony and advancing engagement between reader and text. It is also clear to the reader that by the conclusion of The Yellow Wallpaper, the narrator has become maniacal. Though confined to similar situations, Kleists Marquise and Gilmans narrator are delineated in very different manners. While the Marquise displays boldness and determination in locating her assailant, the narrator of The Yellow Wallpaper allows the intriguing wallpaper t o take control of her senses. Both stories exhibit the consequence of a mythical diagnosis administered to an initially sane and healthy person. WORKS CITED Gilman, Charlotte Perkins. The Yellow Wallpaper. Ed. Dale H. Bauer. New York Bedford, 1998. Kleist, Heinrich Von. The Marquise of O-. London Penguin Books, 1978.

Chinas Economy Essay

Discuss the possible implications of such a development for (a) the realness work system, (b) the world monetary system (c) the business strategy of todays European and U. S. global rafts, and (d) global commodity prices. A) The implications of such a development for the world trading system is that China leave behind basically will be the root of trading. From my perspective, Chinas growth of economic will benefit overall economy of world.In the trading system, China will play a major role on deciding the policy and implications how the trading should be done. With its sophisticated merchandise increase do to the rapid increase in technology China is sharply stepping up exports. With Chinas dominant imports and exports trading and taking a big part in WTO, trade as a percent of GDP has grown dramatically, rising to a level far greater than for whatsoever country of similar size. B) With its high output of economic growth, in world monetary system, I think Chinas currency mig ht be powerful than U.S. dollar or equal or more than other world currency. In monetary system, Chinas demands for its large economic development, will put pressure on other global countries how its plays a leading role. The Chinese Yuan will be in the near future a major international currency, benefitting from the strong position and of the Chinese economy and the latest arrangements, and the stability of the Yuans value when it is compared to other major currencies. C) The implications in European and U. S. lobal corporations would be from my perspective that more corporation business will shift to China. With so many corporation works being sent overseas, there is no doubt that China will be leading part in these corporations. China will generally set polices in what is better interest for corporation and Chinas economic growth. I think that business strategy will be more controlled by China do to the resources that its acquittance to provide and how it will be distributed thro ughout the global economy.D) I think this is going to be the most impact throughout the whole world with economic growth of China. Global commodity price changes can affect inflation and the terms of trade at the global level, with possibly large effects on other emerging and developing economies. In upcoming growth, China will set benchmarks in commodity pricing along with U. S. at side. Chapter 2 heading 4 What are the risks facing alien firms that do business in Indonesia?What is required to reduce these risks? The risks that I personally believe firms that do business in Indonesia would be loss of income to bribes. Moreover, jail time for foreign enterprises on flimsiest of pretext as well and long waits to establish a business are the risks that foreign firms are facing. In order to reduce or say minimize these risks, a radical change is required. Indonesia has an anticorruption drive, which may or may not work.As stated in the case, Indonesia has launched an anticorruption d rive it just necessarily to implement better ways of putting that law into affect. A more assertive policy needs to make up affect on people in order to make the country better and bring out the resources that it has to offer like Oil production. Moreover, political elites need to get involvement with each other and foreign countries in shaping and assisting to rebuild a better Indonesia.As for business firm, businesses must take a pro-active approach to security and risk management. Doing so reduces the chances of a company becoming a victim, but also minimizes the likely fallout in the character an incident was to occur. An effective risk prevention and mitigation plan will enable the company to effectively respond, recover and resume normal business trading operations within the shortest time frame possible so as to minimize the potential business impact either financially or from a constitution standpoint.

My Experience in Jaffna

My figure in Jaffna. Sandarangi Perera. For three long decades Sri Lanka was torn apart by a malicious state of war between the countrys majority and minority. This war made the northern part of the country inaccessible to most of us its citizens. I myself thought that the people, polish and beauty of Jaffna and its surrounding areas would forever remain a mystery to me. However once the war ended the north opened its doors for the rest of the island to come get wind on the whole it has to offer.Even with this great opportunity at my grasp, yet I was not capable of visiting northern Sri Lanka as I simply never had the get hold to. Luckily this chance was given to my fellow college mates and me by our college, the chance to see and experience the post war north. After much planning, excitement and fervor we set off to Jaffna hoping to gain new experiences, to learn new lessons and to make memories as young individuals aspiring to be future journalists. Our purpose of going to Jaffna was to pile up information that was needed to write the stories that each of us were assigned.The general topic assigned to the particular group that I belonged to was agriculture, and we were given the full liberty to choose a story we preferred under that wide topic. The task was to choose a story which has a news value. I instantly refractory on writing my story about the grape cultivation in Jaffna, considering my love for the produce and my curiosity about the process of its cultivation. On my first twenty-four hours in Jaffna I arranged an interview with a few government officers at the Ministry of Agriculture Northern Province. The interview was rather successful and proved to be both knowledgeable and interesting.I learned much about the history of grape cultivation in Jaffna, its p get away during the war, its status after the war, the different typed of grape fruit grown in Jaffna, the problems and threats faced by the farmers and last and not least the future plans and goals set for the growth of the grape farming industry in Jaffna. Day two and three were spent visiting grape farms and interviewing the farmers to gain a much more practical knowledge about the cultivation of grapes. I must aver that the grape farms we visited were by far one of the most beautiful things that I have ever witnessed.Entering each grape farm matte like walking into a land that simply was far away from Jaffna. Greenery was rare in the North. The long stretched roads often had nothing but brown, open and empty lands on either side that often felt quite dead. These farms were the absolute opposite. Every inch of the mesh above our heads was covered with light green grape vines that blocked away the scorching sun that we could not flee from the rest of the time. What looked lovelier than the grape vines themselves were the grape fruit hanging from them.Standing under those vines I couldnt help but feel happy and refreshed. One grape farmer that I spoke to exp ressed to me how growing grapes was very much identical to bringing up a child. He spoke of the dedication, caring and nurturing it took to maintaining a grape farm. There were many traditions and rules entwined with this trade, there was a specific way in which every move was to be made and this made it seem to me that grape cultivation was more of an art than a business and the farmers also went on to say that sadly it is an art that is slowly dying.Our third day in Jaffna was spent visiting onion farms and Palmyra plantations and other industries related to the Palmyra plant such as handicrafts and food and drink items made out of it. Out of the places visited on that day one place in particular that I imbed to be interesting was a small-scale workshop where Palmyra handicrafts were made. There were about five to six women there who were weaving pretty and colourful baskets and bags and on presentation were the most delicate little ornaments made from various parts of the Pal myra tree.These women made weaving look rather easy as they sat there, smoothly and artistically moving their fingers creating beautiful patterns. Being a crafter myself I wanted to sit with them and try weaving, and so I did. An elderly woman offered to base me how it was done and I tried to grasp as much as I could by watching her fast moving fingers and yet when I tried to weave I failed miserably. I discovered that it wasnt n first as easy as they made it seem to be, yet it was quite the enjoyable experience to try anyway.Along with our busy schedules, tweeting, blogging and all the other work assigned to us we still found time to experience the beauty of Jaffna while at work. umteen of the places we visited, such as the Jaffna library and religious sites had a certain calmness and beauty about them that I had not experienced prior to that. I found this experience to be one that educated me much about the practical aspects of being a journalist making contacts, setting appoi ntments and interviews, researching into stories and their details, checking and crosschecking, finding reliable sources, squad work and so on.These lessons could not have been taught to any of us in a better way, therefore I believe I speak for all of my college mates when I say our field trip to Jaffna was a priceless experience in more ways than one. The open blue skies, the beaches, the breeze, the late nights and early mornings, the joyous moments shared with friends, the delicious food, the traditions and culture of the north and more than anything the kind people of the north have been etched into my memory never to be forget and this was my experience in Jaffna.

In an era where magazines are failing, how does FHM maintain its audience?

The origins of FHM clipping publisher date as far back to 1985 in the United Kingdom where the snip began publication. FHM was first published under the name For Him and changed its title to FHM in 1994 when Emap Consumer Media bought the magazine, although the full For Him Magazine continues to be printed on the spine of each introduce. Circulation of this magazine was put outed to newsagents quarterly by spring 1987, after the emergence of a similar magazine Loaded which was regard by them to be the blueprint for the lads mag genre. For Him Magazine firmed up its approach to compete with expanding merchandise by introducing a shimmers supple ment.The magazine is published monthly and changed its name to FHM this being the abbreviated version of For Him Magazine this is probably to gain the audience attention as they can print these letters bigger and bolder which a generic convention that FHM uses. It has dominated the mens market around 1997 according to ABC magazine resul ts where A. Crawford presented an hold where she collected information on FHM magazine sales, FHM gentlemans gentlemanaged to overcome all(prenominal) other magazines and reached over 600,000 sales a month which was a 76% addition on last year which was 365,000 This shows FHM after just over 10 years have managed to overcome and compete with other magazine and are thus far managing to do so in the present day, this suggest that FHM is in high demand and the audience are genuinely interesting in the magazine. similarly FHM began to expand internationally and now sells magazines in 26 different countries.You can canvas also Audience Adaptation PaperFHM was sold as part of the create company sale, from EMAP to German company, Bauer Media Group in February 2008, which is giveed by the Bauer family. This magazine in the genre of is an lads magazines, they look so to sell their magazine to a tar guide audience of men the age of 18-35, predominantly males belonging to A, B and broad C socio-economic classes with an interest for everything and anything bracey, funny and relevant to a mens lifestyle, for example hobbies, and sports.According to a Synovate Media Atlas survey, This magazine has over 1 million readers monthly across all socio-economic classes this figure is based on a survey carried out by Synovate Media Atlas in the 2009-2010 year. FHM has had other successes with the e-media platform by introducing fhm. com. This website version of the magazine has bought more users in and maintaining a outsize audience, this proves by the dope of audience that FHM is actually selling magazines and gaining revenue. analyse website, analyse magazine FHM makes their revenue through the cover price of the magazine which is ?3. 0 monthly and through yearly subscriptions offered to readers, and their revenue is mostly produced by the adverts within the magazine.In 2002 according to New York Business Wire, FHM has revenue gain of an outstanding 105% over last year, in addition the magazine ends 2002 with the largest issue of the year. Over 10 years ago FHM managed to increase their revenue through selling magazines and selling advertizement space, the adverts must have related to the audience for them to keep buying the magazine therefore keeping the audience interested in the content of the magazine.Also because of the square(p) increase of revenue in 2002 this put FHM in good stead to further develop their magazine to maintain the audience. According to Audit Bureau of circulation (ABC) in Jan-Jun 2008 FHM continue sales of 280,392 and remains the bestselling magazine in print, online and overseas, it outsells GQ, MAXIM and LOADED. In April 2008, FHM witnessed record levels of traffic on FHM. com culminating in an ABCe of over 2million users. FHM now numbers 31 international editions worldwide. According to these figures FHM have found a modality to gain money through magazine sales, also FHM have found an effective way to use thei r created space in their magazine and selling that space to advertisers. This will help FHM gain revenue, as advertisements are important for advertisers because they also strike to get their product recognised then there will alship canal be space filled within FHM. This can be useful for the magazine as they can choose to publish articles that match the advertisement for example an article on fitness and sport and advertisement for a new football mission may follow.This allows the Advertisement Company and FHM to work together. This means this is an effective way of earning extra money with the magazine than just sales. Specific evidence from mag Also FHM have a e-media platform, fhm. com. This has become increasingly popular with the consumers as they can choose what they want to read and in website form can hold mass information, FHM have created this media platform so they can give exclusivity to the audience and because this platform has different features from just a magaz ine this will keep the audience from acquiring bored.FHM has also released magazines editions worldwide this will allow for diverse mass audience and will help FHMs sales. Why do people buy and read magazine We can analyse FHM by using the Laura Mulveys male gaze theory, whereby she theorised that consumers are largely masculine and that women is controlled by the male gaze. This idea is that womens body is displayed and makes the men the voyeur.FHM uses attractive photos of women by awarding them as sexually alluring and according to this theory would make the audience experience erotic merriment from looking at the pictures of women. This attracts the male audience using the male gaze theory. One of the reasons why FHM appeals to the audience Sales of early titles such as theatre and Esquire were rapidly outstripped by titles such as Loaded and FHM, as images of the new man were replaced by an emphasis on more laddish forms of masculinity, associated with drinking, sport and s ex. Jackson et al, 2001. This quote supports the modernism theory as FHM is saying that men are moving forward and is supporting the progression of different forms of a mans masculinity, this suggests men are buying FHM because they are portraying a better element of a mans masculinity than other magazines and because of this it is appealing to the male audience and the content provided has more relevance to the audience.The male audience is attracted by the idea of a masculine lifestyle is about drinking, sport and sex which FHM offers them, this attraction is one of the reasons why this magazine has had successful and maintaining sales for a sustained period of time. FHM have many articles that improve a mans body digit by training and giving the audience different advice and tips to help them they also provide dietary tips to go alongside.This article appeals to the aspirers as they want to improve themselves and aspire to a better body. Search google FHM and media theory The U ser and Gratifications theory suggest that users proactively search for media that will not however meet a given need but enhance knowledge, social interaction and diversion. This theory interprets the audience for actively integrating media into their own lives. It implies that the FHM compete against other information sources for the viewers gratifications.Using this theory, can explain how articles FHM produce appeal to the audience, using the article mentioned before, according to this theory the audience actively takes in the article and integrates it into their lives for example articles that involve fitness work to improve themselves and articles that involve tips to improve different aspects of life. With this particular article about improving your body shape and therefore masculinity this gives knowledge to the audience and this can create diversion from their everyday life by improving themselves.This is the audience actively integrating media into their own lives and is supported by Blumler and Katzs work whereby they studied why people use particular media, and developed the users and gratifications theory. FHM highlights and attempts to commodify aspirational aspects of a mens lifestyle as a way of appealing to advertisers and also simultaneously trying to speak directly to readers as an authentic voice this magazine can be talk by using the hypodermic needle theory as they inject and portray how a mens lifestyle should be and explain ways of getting there. The success of FHM was dependant on how this subject was addressed, commodifying mens gender anxieties through editorial material that provides useful advice in a witty and accessible manner, often using ironic mode of address to avoid the charge of being sad or taking things seriously. FHM offers the audience Personal Identity, this magazine shows and portrays how a mens lifestyle should be.The consumers will act on this information and will let this magazine shape their own lives for exam ple pose a body like this with this diet this article would be aimed at reformers that would like to make their body better also the magazine would offer this article and mention that there would be a follow up article in next months article, this would make the consumers buy the next issue therefore increasing FHM total monthly sales and maintaining their revenue.Also this magazine will have articles on celebrities training regime this could provide the audience with direction and would be able to gain an insight into their lives this would also help maintain sales and would gratify the audience.In FHM there is a main dominant separate about men, those there appearances and attitudes are masculine and FHM is very forward with this idea, they show men doing exercise with good strong bodys and the images they use are masculine portraying this dominate stereotype, the aspirers and reformers of the audience will act on FHMs ideas of a mans masculinity and will aspire to be there ide a of a new man therefore making the consumers continually buy this magazine each month.We can analytically investigate FHM by using the Pluralist model. The pluralist model argues that there is diversity in society and therefore there is also choice, because the audience is diverse with different views the media is influenced by society because the media need to please the audience they will try and reflect the values and beliefs that are predominant in society.So FHM reflects the predominant masculine man and try to portray a typical mans lifestyle, FHM stereotypes men to be very masculine, good in bed, happy in relationships, witty, considerate and skilled at all things. FHM shows these things in their magazines to captivate the audience and show them what they want to see, according to previous sales figures FHM seem to be doing this and have been maintaining it and therefore gaining revenue as rise as pleasing the audience.

Marriage and the Chinese Revolution

Before the 1949 revolution, Chinese wo workforce were regarded as spurn in social drift than custody, notwithstanding the general disempowerment of women due to the lower social class that they be farseeinged to. Women were considered chattels, especi onlyy by the noble classes, in which families arranged conglutinations for their daughters in order to unshakable favors from organization officials, warlords and all the same from the imperial house verify. Moreover, men could maintain as many wives as they wanted, notwithstanding the utter lack of power of women to secure a separate from their husbands, in the event that they were abused and badly treated.monoamine oxidase Zedong said this ab tabu the Marriage integrity, The Marriage Law affects all hoi pollois interests and is ane of the elemental laws of china, next only to the dispositionIt is the legal means through which to carry start reform of the marriage and family system in china, the weapon with which to fi ght the feudalisticisticistic family system, and the tool necessary to officiate and develop a new marriage and family system.For all the faults of Maos China, the marriage law which the communists implemented liberated the women from the duress of a patriarchal association which dictated the terms of their existence, including their choice of a life partner. By decreeing the dismantling of a feudal system of dealings surrounded by men and women, women were instanter able-bodied to truly choose to marry only those that they truly love. While such a state policy exists, it took more than the marriage law to truly chequer that the social in enoughity in a Chinese marriage was implemented politically and culturally, to ensure that women indeed held half the sky.On the other hand, such judgment of dismissal of Chinese women in marriage and then did not amount to utter sexual promiscuity as in western sandwich countries, except at present, where eer-changing partners and s pouses seem to be as fast as changing mobile phones and cars in Chinese contemporary society. As divorce is China is as motiveless as selling the newest Ipod, it is like a shot steadily undermining once more the value of marriage and the commitment that is intertwined in its concept.If the women were treated as chattels in feudal China that no mutual consent in marriage ever really existed, the present increasing number of divorces seems to manifest that with the profit in personal income and outlay of the Chinese is rendering as a commodity the knowledgeableness of marriage. These things, treating women as chattel and the commodification of marriage, are both social evils which smash the prefatorial sanctity of marriage, in view of the family as the basic institution in any society.As the Chinese economy grows by leaps and bounds, it has also direct to the creation and reproduction of a new inequality in the institution of marriage, where mutual love and commitment are not at the center of the institution but property relations to outpace all other families in a cutthroat competition for financial security and success.It is no different from feudal China where families arranged marriages for their daughters because it destroys the long-held idea, even by Mao Tsetung, that marriage should only be based on mutual respect and love by partners with a deep perspective on their relationship and a long-term goal for the development of both partners lives in all aspects physical, economic, social, and even spiritual.Is divorce Chinas new hysteria?By Leon DsouzaZIBO, Peoples Republic of China That Chinas revolutionary leader, Mao Zedong, was an incessant womanizer is no secret. For 22 years, beginning in 1954, Dr. Li Zhisui, his personal physician, chronicled the former dictators low private world. In his critically acclaimed book, The Private Life of Chairman Mao, Dr. Zhisui writes candidly about the erstwhile chairmans voracious appetite for carnal pleasu re. Mao was constantly hosting dances and riotous parties to find new puppylike women to indulge his fantasies. He was married at least four times and had ten babyren with whom he had rather distant relationships.However, for all his shortcomings, Mao was a hearty believer in the power of womanhood. He was fond of quoting an old Chinese proverb, women hold up half the heavens, and in his short(p) Red Book, which attained biblical importance during the Cultural Revolution of the late 1960s, he spoke audaciously of the need for equality of the sexes.In order to physique a great collectivised society, it is of the utmost importance to arouse the broad masses of women to join in productive activity. Men and women must receive equal pay for equal work in production, Mao declared.The former chairman began a transformation of the submissive role that Chinese women were historically relegated to over centuries of dynastic rule. One of his earliest reforms touch sweeping changes to Chinas harsh marriage norms.Before the advent of Communist Power, marriage was some(a)what of an unholy institution in China, a form of socially canonical bondage. Chinese director Zhang Yimous brilliant film, Raise the Red Lantern, tells of the sordid state of affairs in imperial times. Arranged and auxiliary marriages were considered normal practice then. A wealthy man could cave in as many wives as he pleased. Widows were not allowed to remarry and no woman could ever ask for a divorce.Mao changed all that. His first Marriage Law abolished the system of arranged or forced marriage and extended equal safeguard to women and children. The new legislation forbade bigamy, child marriage and public interference in the freedom for widows to remarry. Mao took personal interest in the implementation of the measure.The Marriage Law affects all peoples interests and is one of the basic laws of China, next only to the constitution, he emphasized. It is the legal means through which to ca rry out reform of the marriage and family system in China, the weapon with which to fight the feudal family system, and the tool necessary to establish and develop a new marriage and family system.Noble goals notwithstanding, Maos reforms werent greeted well in a hoidenish steeped in a long tradition of patriarchy. Some derided the edict as a formula for societal instability that was sure to trigger an epidemic of divorces.It is a law for divorce, these naysayers argued.In some ways, they were right.Divorce is fast becoming something of an emerging trend in modern China, where successive marriage laws have empowered women who now initiate more than 70 percent of break ups. In fact, so pervasive is this trend that in a level some years ago, The impudently York Times Seth Faison pointed out that it was even beginning to affect the way ordinary Chinese greet each other in the street.For years, Faison wrote, people have greeted each other with a question that reflected the nations pr imary concern Chi le ma? or Have you eaten? Now according to a customary joke in Beijing, people who see a friend on the street voice a new concern Li le ma? Have you divorced? that unlike other countries, where divorce is seen as a social problem, the Chinese seem to view this trend as a sign of the changing soar upwards for women in a country where they were once mere objects of desire.As the Beijing Youth Daily explained in a story a while corroborate The high rate of divorce reflects a multifariousness of master of my own fate notion among urban residents. From an overall perspective, it represents a kind of social advancement.Financial emancipation resulting from a surge of women in the workforce seems to be driving the divorce rate. Chinese women now actually do hold up half the sky. They consider for more than 46 percent of the total working population according to statistics. Women experts and entrepreneurs have come to the forefront in voluminous numbers, playing key roles in hi-tech industries as well as large and medium state-owned enterprises. This has helped level the balance.In the past, women were very dependent on men for survival. They were not allowed to work. Today in China, women earn their own money. They are becoming more and more independent, and so they need not remain married to men that arent loyal to them, said Huang Yan Ling, an incline teacher at the Zibo Foreign wrangle School.Huang was raised in Zibo, the rural northeastern city in Shandong Province where she now teaches middle school. As a mother herself, and someone who grew up away from the relatively liberal atmosphere of the rapidly westernizing cities along Chinas eastern coast, she isnt a shoddy supporter of the spate of divorces.I forecast it is very bad for the children, she emphasized, when asked why she balked at the trend.Nevertheless, she is delighted that increasing numbers of Chinese women are standing up for themselves, and places the blame for failed m arriages squarely on the infidelity of the men involved.When most men approach middle age, they have a lot of money. When they have money, they look for young girls because they just want to have fun. They dont really love their wives, she suggested matter-of-factly. So it is good for some women to file for divorce.Nevertheless, there is room for tightening up the law to palliate separations while preventing the situation from coiling out of hand. One of the ways Huang points to is increasing the amount of alimony payable as child support.In China, if a couplet files for divorce, the woman usually gets bonds of the child. This places her in a difficult position. The man can get away with making payments as low as three hundred Reminbi Yuan (approximately $38) per month, she explained. I think this is not right. Men should be made to pay more. That way, maybe they will think twice about cheating on their wives.At the end of the day, whether curse word or boon, Chinas climbing d ivorce rate is an indicator of significant social change. Maos China has opened up for women doors they could never previously have hoped to unlock. Today, women wear the shorts in many families here. And although you wont get their husbands to admit it, most married men live in peril of their wives ire.Take Yu Ke Hong for example, one of my colleagues at the Zibo Foreign Language School. A month ago, my brother-in-law, Brian, and I, tried to coax him into buying a dog for his family while we were out pet shopping at the weekend dog market. Yu laughed when we presented the suggestion, then added candidly that his wife would throw him out of the house if he showed up on his doorstep with the cute Chinese Shar-Pie we had picked out for him since she didnt care much for dogs. tolerable said. You know who calls the shots in his household.Leon Dsouza is a frequent contributor to the Hard News CafeMarriage and the Chinese RevolutionBefore the 1949 revolution, Chinese women were regarde d as lower in social rank than men, notwithstanding the general disempowerment of women due to the lower social class that they belonged to. Women were considered chattels, especially by the noble classes, in which families arranged marriages for their daughters in order to secure favors from government officials, warlords and even from the imperial household. Moreover, men could have as many wives as they wanted, notwithstanding the utter lack of power of women to secure a divorce from their husbands, in the event that they were abused and badly treated.Mao Zedong said this about the Marriage Law, The Marriage Law affects all peoples interests and is one of the basic laws of China, next only to the constitutionIt is the legal means through which to carry out reform of the marriage and family system in China, the weapon with which to fight the feudal family system, and the tool necessary to establish and develop a new marriage and family system.For all the faults of Maos China, the marriage law which the communists implemented liberated the women from the bondage of a patriarchal society which dictated the terms of their existence, including their choice of a life partner. By decreeing the dismantling of a feudal system of relations between men and women, women were now able to truly choose to marry only those that they truly love. While such a state policy exists, it took more than the marriage law to truly ensure that the social inequality in a Chinese marriage was implemented politically and culturally, to ensure that women indeed held half the sky.On the other hand, such liberation of Chinese women in marriage then did not amount to utter sexual promiscuity as in Western countries, except at present, where changing partners and spouses seem to be as fast as changing mobile phones and cars in Chinese contemporary society. As divorce is China is as easy as selling the newest Ipod, it is now steadily undermining once more the value of marriage and the commitm ent that is intertwined in its concept.If the women were treated as chattels in feudal China that no mutual consent in marriage ever really existed, the present increasing number of divorces seems to manifest that with the increase in personal income and spending of the Chinese is rendering as a commodity the institution of marriage. These things, treating women as chattel and the commodification of marriage, are both social evils which destroy the basic sanctity of marriage, in view of the family as the basic institution in any society.As the Chinese economy grows by leaps and bounds, it has also led to the creation and reproduction of a new inequality in the institution of marriage, where mutual love and commitment are not at the center of the institution but property relations to outpace all other families in a cutthroat competition for financial security and success.It is no different from feudal China where families arranged marriages for their daughters because it destroys the long-held idea, even by Mao Tsetung, that marriage should only be based on mutual respect and love by partners with a deep perspective on their relationship and a long-term goal for the development of both partners lives in all aspects physical, economic, social, and even spiritual.Is divorce Chinas new fad?By Leon DsouzaZIBO, Peoples Republic of China That Chinas revolutionary leader, Mao Zedong, was an incessant womanizer is no secret. For 22 years, beginning in 1954, Dr. Li Zhisui, his personal physician, chronicled the former dictators dark private world. In his critically acclaimed book, The Private Life of Chairman Mao, Dr. Zhisui writes candidly about the erstwhile chairmans voracious appetite for carnal pleasure. Mao was constantly hosting dances and card-playing parties to find new young women to indulge his fantasies. He was married at least four times and had ten children with whom he had rather distant relationships.However, for all his shortcomings, Mao was a firm bel iever in the power of womanhood. He was fond of quoting an old Chinese proverb, women hold up half the heavens, and in his Little Red Book, which attained Biblical importance during the Cultural Revolution of the late 1960s, he spoke audaciously of the need for equality of the sexes.In order to build a great socialist society, it is of the utmost importance to arouse the broad masses of women to join in productive activity. Men and women must receive equal pay for equal work in production, Mao declared.The former chairman began a transformation of the submissive role that Chinese women were historically relegated to over centuries of dynastic rule. One of his earliest reforms involved sweeping changes to Chinas harsh marriage norms.Before the advent of Communist Power, marriage was somewhat of an unholy institution in China, a form of socially sanctioned bondage. Chinese director Zhang Yimous brilliant film, Raise the Red Lantern, tells of the sordid state of affairs in imperial tim es. Arranged and mercenary marriages were considered normal practice then. A wealthy man could have as many wives as he pleased. Widows were not allowed to remarry and no woman could ever ask for a divorce.Mao changed all that. His first Marriage Law abolished the system of arranged or forced marriage and extended equal protection to women and children. The new legislation forbade bigamy, child marriage and public interference in the freedom for widows to remarry. Mao took personal interest in the implementation of the measure.The Marriage Law affects all peoples interests and is one of the basic laws of China, next only to the constitution, he emphasized. It is the legal means through which to carry out reform of the marriage and family system in China, the weapon with which to fight the feudal family system, and the tool necessary to establish and develop a new marriage and family system.Noble goals notwithstanding, Maos reforms werent greeted well in a country steeped in a long t radition of patriarchy. Some derided the edict as a formula for societal instability that was sure to trigger an epidemic of divorces.It is a law for divorce, these naysayers argued.In some ways, they were right.Divorce is fast becoming something of an emerging trend in modern China, where successive marriage laws have empowered women who now initiate more than 70 percent of break ups. In fact, so pervasive is this trend that in a story some years ago, The New York Times Seth Faison pointed out that it was even beginning to affect the way ordinary Chinese greet each other in the street.For years, Faison wrote, people have greeted each other with a question that reflected the nations primary concern Chi le ma? or Have you eaten? Now according to a popular joke in Beijing, people who see a friend on the street voice a new concern Li le ma? Have you divorced?But unlike other countries, where divorce is seen as a social problem, the Chinese seem to view this trend as a sign of the chang ing tide for women in a country where they were once mere objects of desire.As the Beijing Youth Daily explained in a story a while back The high rate of divorce reflects a kind of master of my own fate notion among urban residents. From an overall perspective, it represents a kind of social advancement.Financial independence resulting from a surge of women in the workforce seems to be driving the divorce rate. Chinese women now actually do hold up half the sky. They account for more than 46 percent of the total working population according to statistics. Women experts and entrepreneurs have come to the forefront in large numbers, playing key roles in hi-tech industries as well as large and medium state-owned enterprises. This has helped level the balance.In the past, women were very dependent on men for survival. They were not allowed to work. Today in China, women earn their own money. They are becoming more and more independent, and so they need not remain married to men that are nt loyal to them, said Huang Yan Ling, an English teacher at the Zibo Foreign Language School.Huang was raised in Zibo, the rural northeastern city in Shandong Province where she now teaches middle school. As a mother herself, and someone who grew up away from the relatively liberal atmosphere of the rapidly westernizing cities along Chinas eastern coast, she isnt a loud supporter of the spate of divorces.I think it is very bad for the children, she emphasized, when asked why she balked at the trend.Nevertheless, she is delighted that increasing numbers of Chinese women are standing up for themselves, and places the blame for failed marriages squarely on the infidelity of the men involved.When most men approach middle age, they have a lot of money. When they have money, they look for younger girls because they just want to have fun. They dont really love their wives, she suggested matter-of-factly. So it is good for some women to file for divorce.Nevertheless, there is room for tigh tening up the law to facilitate separations while preventing the situation from spiraling out of hand. One of the ways Huang points to is increasing the amount of alimony payable as child support.In China, if a couple files for divorce, the woman usually gets custody of the child. This places her in a difficult position. The man can get away with making payments as low as 300 Reminbi Yuan (approximately $38) per month, she explained. I think this is not right. Men should be made to pay more. That way, maybe they will think twice about cheating on their wives.At the end of the day, whether bane or boon, Chinas climbing divorce rate is an indicator of significant social change. Maos China has opened up for women doors they could never previously have hoped to unlock. Today, women wear the pants in many families here. And although you wont get their husbands to admit it, most married men live in peril of their wives ire.Take Yu Ke Hong for example, one of my colleagues at the Zibo Fore ign Language School. A month ago, my brother-in-law, Brian, and I, tried to coax him into buying a dog for his family while we were out pet shopping at the weekend dog market. Yu laughed when we presented the suggestion, then added candidly that his wife would throw him out of the house if he showed up on his doorstep with the cute Chinese Shar-Pie we had picked out for him since she didnt care much for dogs. Enough said. You know who calls the shots in his household.Leon Dsouza is a frequent contributor to the Hard News Cafe

Particular synonyms Essay

You will choose synonyms to replace the bold word in the sentences provided below.You will then write an explanation to apologise why you chose these particular synonyms.ExampleHowever, in a year that saw the social networking juggernaut Facebook turn a profit for only the first time, it was non clear whether Twitter could achieve financial independence from its venture capital investors.Synonym = powerhouseExplanation I chose the word powerhouse, because the original word, juggernaut indicates that that Facebook forcefully took over the social networking industry. I wanted to use a word to indicate powerful success.Synonyms1. Having demonstrated its versatility as a high-tech newswire, Twitter force the attention of those who would prefer to see certain information suppressed.I would choose the word skillfulness, because versatility means you are skilled to do many things at erst and are good at it.2. Millions of users attempted to log into Twitter only to be greeted by the ser vices iconic fail whale, the image of a cartoon whale being hoisted into the air by a flock of birds, signaling a site outage.Ideal because it is an image from the service. When you are not a member.3. Following the earthquake that struck Haiti in January 2010, Twitter reaffirmed its role as a powerful tool for the dissemination of information.I chose the word spread, because dissemination means to spread widely. Stating that Twitter is a powerful choice of media to spread information around the world.4. Additionally, it became an effective fund-raising platform, when the Red Cross launched a mobile giving incline that surpassed all expectations. Outcome because they are talking about how the fund put inr was effective. Meaning an outcome.5. High-profile users tweeted about the drive to help victims of the earthquake, and many of their followers tweeted and re-tweeted the message, helping the Red Cross raise more than $8 million through text messaging within 48 hours of the quake. Fundraiser because they are talking about a way to help victims of the earthquake.